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[Music] Flaming Lips (Embryonic)

Discussion in 'BBS Hangout' started by DCkid, Oct 15, 2009.

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  1. DCkid

    DCkid Member

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    Ok, so I just finished listening to this album all the way through and must say I did not get much out of it on first listen

    Obviously it's an album that will demand multiple listens. I'd say a good portion of it borders on Psychedelic Avant Garde, of which I've never really been a big fan.

    I appreciate the experimentation and I could foresee this album having future influence on a new generation who may adapt its sound into more of a pop setting, but a lot of it just sounds like half-complete songs that have one or two ideas at their core with barely any melodies or hooks to speak of.

    I'm definitely going to listen to it a few more times before I make a final assessment. The album appears to have received very good reviews. I was wondering if anyone else has listened to it yet or has any opinions on it? If nothing else it definitely pushes the envelope.
     
  2. Manny Ramirez

    Manny Ramirez The Music Man

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    I haven't listened to it yet and it is definitely on my list of CDs to pick up (but then again so has "Wilco (The Album)", so who knows when I will get around to getting it).

    I do know that BMoney has it and his first listen through it was similar to your experience, DC.

    I have really gotten into experimental and avant-garde stuff so what you are saying will probably mean I'll like it a lot. As long as it isn't like Zaireeka where you have to play it on 4 CD players at once to get the full effect, I think everything will be alright! ;)
     
  3. stipendlax

    stipendlax Member

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    Haven't had a chance to get this, but I made a mental note about it.

    I've heard nothing but good things. Excited to hear it!
     
  4. the futants

    the futants Member

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    I've had a copy for several weeks. My initial thoughts were: Wow, this really evokes a Flaming Lips from an earlier era. They have brought back some rock/balls into their songs and tempered the "orchestra sound" of the post-Soft Bulletin era.
    After multiple listens over a relatively long period of time, they really have expanded on the psychedelic aspect of their (Steven's) song-writing while maintaining a "rock" base.
    I like it a great deal.

    Conan:
    <object width="560" height="340"><param name="movie" value="http://www.youtube.com/v/5iDjANWsnuc&hl=en&fs=1&"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/5iDjANWsnuc&hl=en&fs=1&" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="560" height="340"></embed></object>
     
  5. DCkid

    DCkid Member

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    That was my favorite song on the album after the first listen (and also the last song on the album). That performance is incredible.
     
  6. jo mama

    jo mama Member

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    listened to it yesterday. i will preface my comments by saying that the flaming lips are one of my all-time favorite bands and i have been a fan of them for almost 20 years - ive seen them probably 10 times. i witnessed the 1st 'tape experiment' during sxsw 1996 or 97 - 50 cars in a parking garage - wayne hands a cassette tape to each car and has them all start at the same time, blasting as loud as possible. that stuff all culminated in the zaireeka album.

    i kept hearing how this album was a return to their early psych-freak-out roots - it kind of is, but its definitely more refined and 'safer' than their 80's/early 90's stuff. imo, its really just a continuation of what they were doing on at war w/ the mystics, which i think is their worst album. i just found myself pretty bored listening to it. i agree w/ dckid's comments that there arent really any memorable hooks or melodies - alot of it sounds like half-assed ideas that they didnt flesh out. the album was written via long jam sessions, so thats kind of understandable.

    hate to say it, but i think that there is a correlation b/t their main songwriter/multi-instrumentalist quitting heroin and their music getting increasingly lamer.
     

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